“It’s not often that a fortunate opera-goer witnesses the birth of a star!”
San Francisco review of Danielle Talamantes' debut as Violetta in "La traviata"



Soprano Danielle Talamantes is an international recitalist who made her Carnegie Hall debut in a sold-out solo recital in 2007. Since then, she has sung as soprano soloist with the National Symphony Orchestra, Baltimore Symphony Orchestra, Phoenix Symphony, Nashville Symphony, Choralis, Hochschule für Musik Hanns Eisler in Berlin, National Philharmonic Chorale & Orchestra, Oratorio Society of Virginia, Seoul Philharmonic, Théâtre du Châtelet in Paris, Trujillo Symphony Orchestra of Peru, and The United States Army Chorus. In addition, she was the Soprano in Residence for the Summer 2012 and featured guest soloist at the Summer 2014 Marlboro Music Festival in Marlboro, Vermont.

This season, Talamantes performed the role of Anna in Nabucco and reprised the role of Frasquita in Carmen with The Metropolitan Opera. Additional operatic roles this season include a turn in the title role of Carlisle Floyd's Susannah with Opera Roanoke and the role of Marzelline in Beethoven's Fidelio with the Princeton Festival Opera. She also returns to perform with National Philharmonic Orchestra and Chorale in Händel’s Messiah, Brahms’ Requiem and the DC-area premier of Leshonoff's Zohar. She'll solo in Mozart’s Requiem with Phoenix Symphony Orchestra, Verdi’s Requiem with Gloria Musicae, and Barber’s Knoxville: Summer of 1915 with Manchester Symphony Orchestra, Beethoven's Symphony No 9 with the Fairfax Chorale and Orchestra. Additionally, she will be a featured soprano soloist with the Northwest Bach Festival in Spokane and also the Philadelphia Chamber Music Society.

Ms. Talamantes and Henry Dehlinger perform Heaven and Earth: A Duke Ellington Songbook, a luscious collection of brand-new arrangements of Duke Ellington standards and irreplaceable gems of the American Songbook – written especially for Ms. Talamantes, in recital at multiple venues across the country. They also perform, in recital, a concert of gorgeous Spanish songs featured in their critically-acclaimed MSR Classics album: Canciones españolas. Talamantes and Dehlinger captivate audiences with tales of amorous longing, joy and despair as they bring the lush music and poetry of Spain to life.

Recent season appearances had Talamantes soloing in Haydn’s Creation with Cathedral Choral Society; Händel’s Messiah at Phoenix Symphony and National Philharmonic; Haydn’s Lord Nelson Mass at the National Philharmonic; Haydn’s Gloria Musicae with Gloria Musicae in Sarasota; Vaughan William’s Dona Nobis Pacem at Farifax Choral Society; a Bach and Händel concert with Choralis; Carmina Burana at New Dominion Chorale; Bob Chilcott’s Requiem at Alice Tully Hall; Mozart’s Mass in C Minor with the City Choir of Washington; Dvořák’s Stabat Mater at North Carolina Master Chorale; Adina in L’elisir d’amore  at Gulf Shore Opera; Mimì in La bohéme at St. Petersburg Opera; the soprano lead in a world première production of Janice Hamer’s Lost Childhood with the National Philharmonic in Washington D.C.; a turn as Donna Anna in Don Giovanni at Cedar Rapids Opera; Violetta in La traviata at Finger Lakes Opera; and a début at Spoleto Festival USA as Sergente in Veremonda

Ms. Talamantes has been awarded first prize in several prestigious opera competitions, including: the Irene Dalis Opera San Jose Competition; Irma M. Cooper Opera Columbus Competition; XII Concurso de Trujillo; International Lotte Lehman Cybersing Competition; NATS Artist Award; and the Vocal Arts Society Discovery Series competition.   In addition, she has garnered honors and awards in vocal competitions with the National Opera Association, Liederkranz Foundation, Seoul International Music Competition, Licia Albanese-Puccini Foundation, Giulio Gari Foundation, Gerda Lissner Foundation, Plácido Domingo’s Operalia and Thomas Quasthoff’s Das Lied.

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Fairfax Symphony - Mozart's Requiem

GMU Center for the Arts Concert hall, Fairfax, VA

Wolfgang Amadeus Mozart’s sublime Requiem needs no introduction to music lovers everywhere. Its manifold beauties have inspired performers and listeners alike for more than two centuries, while intriguing audiences with its mysterious history and unfinished score.

This event will also feature the Prokofiev Violin Concerto No. 2


National Philharmonic present's Mozart's Così fan tutte

The Music Center at Strathmore

Mozart's Cosi Fan Tutte A Concert Opera

Fiordiligi - Danielle Talamantes Dorabella - Shirin Eskandani Guglielmo - Trevor Scheunemann Ferrando - Norman Shankle Despina - Arianna Zukerman Don Alfonso - Kenneth Kellogg

National Philharmonic Chorale Piotr Gajewski, conductor

Mozart’s delightful and elegant opera buffa, Cosi fan tutte, unfolds a tale of mistaken identities, love, trust, deceit and final reconciliation. When two soldiers decide to test the love and faithfulness of their beloveds by pretending to go away but then appearing in disguise to observe their reactions, events unfold in ways unforeseen by the young lovers. This opera contains some of the Mozart’s most beautiful music.


St Mary's College presents the Brahms Requiem

St Luke's Catholic Church, McLean, VA

The St Mary's College Choir along with soloists Danielle Talamantes and Kerry Wilkerson perform the timeless Johannes Brahms Ein Deutsches Requiem. No tickets required, this is a free event.


City Choir of Washington presents Handel Laudate pueri dominum and the Charpentier Te Deum

The National Presbyterian Church, Washington DC

Our final concert will be a spectacular tribute to Maestro Shafer’s fiftieth anniversary as a conductor in Washington, DC. The program features the world premiere performance of a fascinating setting of the Magnificat by the young American composer, Brian Bartoldus. Mr. Bartoldus’ setting strives “to do deep dives into the many intense emotions and thoughts surrounding the life-changing experience of having a child. While the orchestra and the structure are Baroque, its harmonic language is more contemporary, with a nod to late 20th century composers James MacMillan and Alfred Schnittke.” Opening the concert will be the youthful and exuberant Laudate pueri dominum by Handel, composed when he was only 22! The program concludes by transporting you to the shimmering court of Louis XIV with the thrilling and justly famous Te Deum of Marc Antoine Charpentier.


Arizona State University Symphony Orchestra and Choirs present Poulenc's Gloria

Gammage Auditorium, Arizona State University, Tempe, AZ

Under the baton of Jeffrey Meyer, the ASUSO is joined by ASU’s combined choirs in Poulenc’s exuberant Gloria featuring guest soprano Danielle Talamantes. The second half concludes the 2017-18 season with Mahler’s revolutionary and triumphant first symphony.